Sonata No. 1 Libro 5 - Score
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This previously unpublished Concerto a quadro presumably started life as a concerto for the standard Baroque forces of flute, strings and continuo. Antonio Vivaldi. Previously, the parts for this recently discovered flute concerto have been available for rental only. Each part can be printed in two formats: as single sheets or as a booklet. Two flute concertos. This expressive four-movement sonata in G minor opens with an Adagio in the style of a slow cantata aria, complete with an introductory ritornello for the continuo.
An Allegro in perpetuum mobile style follows, then an Adagio characterized by violin double- and triple-stopping, and finally a powerful fugue with ingenious contrapuntal writing. Piano Concerto in B flat major, K It opens with a composite movement in which slow sections alternate with cadenza-like quick ones. The final two movements are more conventional: a stately Adagio in a broad, sarabande-like style and a vigorous gigue-like Allegro.
Four Sonate a quattro. Alessandro Scarlatti. All in minor keys, these works are unique for the energy of the fugal writing, the passionate chromaticism of the slow movements and the playful, asymmetrical phrasing of the final Minuets.
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The scoring leaves open a range of performance possibilities, from one to a part, with or without continuo, to orchestral performance. This new edition provides a valuable opportunity to discover the music of an innovative genius whose extensive output remains largely unexplored. Rosalind Halton. However, the movements are nicely contrasted.
The first is a euphonious dialogue between violin and bass, while the second allows the violin to show off dexterity of bowing and extrovert playing. The third movement is a spirited gavotte that takes time out to poke fun at textbook counterpoint. The Edge of Self for accordion solo. Marked by passages of extreme stillness and others that shake with anticipation of intense activity, the piece begins highly compressed, expands in the middle to form extremely dense chords, and finally retreats, compressing to one note.
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This Sonata in A major was published by John Walsh in April as the second piece by Bitti presented in a series of violin sonatas by different composers delivered to subscribers in twelve monthly instalments. An extrovert work, well suited to public performance, it was played in London by the Cremonese violinist Gasparo Visconti.
In the Allegro movement, playful imitations between violin and bass eventually give way to violin acrobatics, and the slow movement is a model of continuously evolving melody. In A minor, the seventh London sonata is serious and noble in tone, while displaying a dance-like character in its final three movements.
States of Ice Diamond Dust. The corrente-like fast second movement in triple metre, with its tiny, insistently repeated musical figure, is reminiscent of Vivaldi. An Interior Monologue for viola solo. It is also preserved in the manuscript in the British library containing seven violin sonatas by Bitti. The structure follows a pattern that recalls a sonata da camera by Corelli: a prelude-like movement followed in turn by a corrente, a slow, triple-time movement resembling a sarabanda , and a giga.
Twelve Ballads. Generously illustrated with facsimiles from the original publications, which were notated on two staves, the new edition, the first in years, uses three staves to clarify the voice and keyboard parts, and includes an Introduction and full Critical Commentary. Chants du Printemps for Chamber Orchestra. Chants du Printemps is an expanded version of a smaller work, completed in , for two oboes, cor anglais, harp and percussion. Despite such borrowings, it is hoped that the listener will enjoy Chants du Printemps in its own right no pun intended.
Marc-Antoine Charpentier. FSC , Charpentier incorporates innovative Italian features into his essentially French musical style. Shirley Thompson. Not only are we able to glimpse the fascinating creative process involved in the conversion of one concerto into the other, but the two works are differently scored, providing equally valid alternatives for performance.
Paul Everett. Piano Concerto in D minor, K Any performer of Mozart's piano concertos must have wondered how those sparsely notated sections would have been realized at the time. No one is better placed to provide an answer than the composer's own pupil Johann Nepomuk Hummel. This sonata features a particularly eloquent third movement having the character of a sarabande , while the concluding giga-like movement exhibits irrepressible verve. Typically for his earlier sonatas, the Sonata in B flat major that heads the London group features four movements in the standard configuration for chamber sonatas of the time: a prelude-like slow opening movement followed by three further movements of either implicit or explicit dance character.
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This sonata has a particularly interesting second movement Allemanda , where Bitti displays his considerable rhythmic finesse. Ming Wang's piano quintet embodies two totally contrasting musical conditions: one type of passage characterized by chromatic lines and chords, which forcefully knock and grate against one another, creating a mood of hypertension, can unexpectedly flip over into a sound world of reassuring, transparent pentatonicism. This contrast evokes a dark landscape suddenly lit up when it reflects light coming from outside.
String quartet in A major. They exploit all four instruments equally even the viola is allocated elaborate solo passages and offer an attractive alternative to the standard Viennese works of this period. Variations and Miscellaneous Pieces for keyboard. Carl Friedrich Christian Fasch.
CATALIN ROTARU or "The PAGANINI of the DOUBLE BASS"
In his day, Carl Fasch was regarded as the true successor to C. This final third volume of the composer's complete keyboard works includes his four sets of extended variations, containing some impressive displays of virtuosity, and a variety of shorter pieces, the majority previously unpublished. The whole three-volume keyboard cycle provides the modern player with remarkable, high-quality new repertoire for performance on the clavichord, harpsichord, or fortepiano.
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Marguerite Dolmetsch. Sonatas and Character Pieces for keyboard. Utmost Attack for tuba quartet. Chi-hin Leung. Entre Nous for Violoncello solo. Entre Nous , written for the outstanding Norwegian cellist Jonathan Aasgaard, is one of a proposed series of three related works, all featuring solo cello. The title reflects the sense of collaboration at the heart of the project, and is, in this first piece of the set, a starting point for the music itself. Sonata in B flat Op. The present work, which has been realized and edited by the well-known British clarinettist Nicholas Cox, will be particularly suitable for reasonably advanced students of both modern and classical clarinets.
The Clash of Icicles against the Stars. Six Solos. Barnabas Gunn. Active in Gloucester and Birmingham during the midth century, Barnabas Gunn was a composer and performer of sacred and secular music. His violin sonatas of , here published for the first time in modern edition, reveal him to have been more than just a competent provincial musician, however.
Their style varies from Corellian brilliance to English Galant sophistication, the instrumental writing for each players is as challenging as it is stimulating, and the music will surprise and delight performers and listeners alike. Symphony No. A significant addition to the repertoire of sociable Hausmusik , this fine arrangement will also be a delight for professionals in concert. Un sogno a tre. Luna Alcalay. Un sogno a tre for flute, viola and harp was written in for a trio of young instrumentalists and first performed in the USA. Pitch and rhythm are strictly organized, but dramatic development has been consciously avoided.
An essential addition to the chamber trio repertoire.
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Flute, viola, harp. Imbued with a playful and childlike spirit, A Child's Universe is an exciting new addition to the contemporary musical repertoire for young players. They therefore succeed brilliantly in performance. Ensemble pieces for children. German version Kinderuniversum. Concertino a tre. Alessandro Rolla. This is an unusual and most welcome addition to the chamber repertoires of all three instruments.
Arrange 9 squares in 3 rows and 3 columns, matching the beginning and end of each piece of music. Looks easy? Just try it! Ask your friends to try it. You'll be addicted. Clarinet Sonata, Op. His sonatas for solo instrument and bass date from between and the year of his death became very popular and were used as teaching material at the newly established Paris Conservatoire.
Following on from Op. Nicholas Cox.